Johann Sebastian Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas made "Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro" available on 1983. The duration of Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro is about 3 minutes long, at 3:00. Based on our data, "Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Trio Sonatas of Telemann & The Bach Family". In this album, this song's track order is #13. In terms of popularity, Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Musical Offering, Op. 6, BWV 1079: Sonata sopr'il Reale a traversa: IV. Allegro by Johann Sebastian Bach, Jean-Pierre Rampal, John Steele Ritter, Isaac Stern, Leslie Parnas having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Major, No. 6, RV 101: I. (Allegro) | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | F♯ Major | 1 | 2B | 117 BPM | ||
Oboe Concerto in C Major, RV 450: II. Larghetto | Antonio Vivaldi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | F Major | 1 | 7B | 87 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | D Minor | 1 | 7A | 111 BPM | ||
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: I. Allegro molto | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | D Minor | 1 | 7A | 134 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Marilyn McDonald, Karen Kaderavek | A Major | 2 | 11B | 123 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In A Minor, BWV 942 | Janos Sebestyen, Johann Sebastian Bach | A Minor | 1 | 8A | 117 BPM |
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