Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Marilyn McDonald, Karen Kaderavek made "Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro" available on May 1, 1993. Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 9 out of 9 in Bach: Brandenburg Concertos Nos. 4, 5 & 6 by Johann Sebastian Bach, Boston Baroque, Martin Pearlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Marilyn McDonald, Karen Kaderavek is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | F Major | 2 | 7B | 90 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Sonata In B Minor, K. 33 | Domenico Scarlatti, Ingolf Wunder | B Minor | 1 | 10A | 93 BPM |
Section: 0.947784423828125
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