College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui's 'Seasons in Hell: Act I: Charleville Summer 1871' came out on October 1, 1997. With Seasons in Hell: Act I: Charleville Summer 1871 being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #4. Based on our statistics, Seasons in Hell: Act I: Charleville Summer 1871's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Seasons in Hell: Act I: Charleville Summer 1871 by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lux aeterna: I. Introitus | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 1 | 10B | 91 BPM | ||
The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Le Choeur des Femmes de L'Orchestre de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 78 BPM | ||
Messa di Gloria: XII. Crucifixus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 62 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
Vers Sataniques after Baudelaire: L'Horloge | Harold Blumenfeld, Donnie Ray Albert, Joel Eric Suben, National Radio Orchestra of Poland | A♭ Minor | 0 | 1A | 85 BPM | ||
Lady Macbeth of Mtsensk District / Act 1: Akh, ne spítsya ból'se, popróbuyu | Dmitri Shostakovich, Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 86 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Jesu! by that shuddering dread | Sir Edward Elgar, Bryn Terfel, Paul Groves, Sir Mark Elder, Hallé | E♭ Major | 0 | 5B | 134 BPM | ||
Voyages after Hart Crane: Meticulous, past mdnight in clear rime | Harold Blumenfeld, Voices Of Change, Patrick Mason, Arthur Weisberg | B♭ Minor | 0 | 3A | 175 BPM | ||
Final shore ~ おお、再臨ありやと | Yoko Kanno | F Major | 2 | 7B | 78 BPM | ||
Symphony No. 2: I | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM |
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