"Voyages after Hart Crane: Meticulous, past mdnight in clear rime" by Harold Blumenfeld, Voices Of Change, Patrick Mason, Arthur Weisberg was released on June 1, 2001. Voyages after Hart Crane: Meticulous, past mdnight in clear rime is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Harold Blumenfeld, Voices Of Change, Paul Phillips, Gregg Smith, Arthur Weisberg's "Mythologies" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of Voyages after Hart Crane: Meticulous, past mdnight in clear rime is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voyages after Hart Crane: Meticulous, past mdnight in clear rime by Harold Blumenfeld, Voices Of Change, Patrick Mason, Arthur Weisberg to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, M. 57 / Première partie: Nocturne | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Minor | 0 | 4A | 78 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - Ladies and Gentlemen, Comrades and Friends | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 116 BPM | ||
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
Violin Concerto, Op. 30: II. Adagio per 22 solisti | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Massenet: Manon, Act 2 Scene 5: "En fermant les yeux, je vois là-bas une humble retraite" (Des Grieux, Manon) | Jules Massenet, Roberto Alagna, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | E Minor | 0 | 9A | 78 BPM | ||
Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | D♭ Major | 0 | 3B | 139 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Sequenza III for female voice | Luciano Berio, Luisa Castellani | F Minor | 0 | 4A | 88 BPM |
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