"Daphnis et Chloé, M. 57 / Première partie: Nocturne" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1995. With this song being about 5 minutes long, at 4:33, "Daphnis et Chloé, M. 57 / Première partie: Nocturne" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Ravel: Daphnis et Chloë". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Daphnis et Chloé, M. 57 / Première partie: Nocturne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, M. 57 / Première partie: Nocturne by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin (arr. Z. Kocsis): IV. Rigaudon: Assez vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | C Major | 1 | 8B | 90 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione I: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 112 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | F Major | 2 | 7B | 151 BPM | ||
Daphnis et Chloé, M. 57 / Deuxième partie: Interlude | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 113 BPM | ||
Enigma Variations: Variation VI. Ysobel - Andantino | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 0 | 8B | 104 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: III. Nicht schnell | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | A♭ Major | 0 | 4B | 75 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 12, Catacombae (Sepulcrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Berceuse sur le nom de Gabriel Fauré | Maurice Ravel, Chantal Juillet, Pascal Rogé | C Major | 1 | 8B | 80 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM |
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