Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan's 'Variations on a Rococo Theme, Op. 33, TH. 57: Variazione I: Tempo del Tema' came out on January 1, 2000. With Variations on a Rococo Theme, Op. 33, TH. 57: Variazione I: Tempo del Tema being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 7 out of 69. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations on a Rococo Theme, Op. 33, TH. 57: Variazione I: Tempo del Tema is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Rococo Theme, Op. 33, TH. 57: Variazione I: Tempo del Tema by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 4. Satz: Fliessender, doch durchaus nicht eilend | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 72 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: I. Largo | Dmitri Shostakovich, Mstislav Rostropovich, Yevgeny Svetlanov, USSR State Symphony Orchestra | D Major | 1 | 10B | 111 BPM | ||
Les Sylphides: 1. Prélude in A major, Op. 28, No. 7 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 131 BPM | ||
Gaîté parisienne: (Without Tempo Indication) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Mazurka No.44 In G Op.67 No.1 | Frédéric Chopin, Vladimir Ashkenazy | G Major | 2 | 9B | 203 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Evocation of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 110 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM |
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