Véronique - opéra comique / Acte II: Adieu, je pars
André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Roger Bourdin
Messager - Véronique
3:50 January 1, 2000
BPM
85
Key
G Major
Camelot
9B

Embed

Share Link

Véronique - opéra comique / Acte II: Adieu, je pars - André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Roger Bourdin Information

Acousticness
92%
Danceability
14%
Energy
17%
Instrumentalness
84%
Liveness
16%
Loudness
69%
Speechiness
3%
Valence
4%
Popularity
Loudness
-18.441 dB

Summary

"Véronique - opéra comique / Acte II: Adieu, je pars" by André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Roger Bourdin was released on January 1, 2000. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Geori Boue, Roger Bourdin, Mary Marquet, Genevieve Moizan, Robert Destain's "Messager - Véronique" album is number 7 out of 29. On top of that, France appears to be the country where this track was created. Véronique - opéra comique / Acte II: Adieu, je pars is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Véronique - opéra comique / Acte II: Adieu, je pars BPM

We consider the tempo marking of Véronique - opéra comique / Acte II: Adieu, je pars by André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Roger Bourdin to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Véronique - opéra comique / Acte II: Adieu, je pars Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale by Camille Saint-Saëns, Orchestre de Paris, Daniel BarenboimSamson et Dalila, Op. 47, R. 288 / Act 3: BacchanaleCamille Saint-Saëns, Orchestre de Paris, Daniel BarenboimB Major31B94 BPM
Le maçon, S. 13 (Excerpts): Entr'acte to Act III by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario SalviLe maçon, S. 13 (Excerpts): Entr'acte to Act IIIDaniel Auber, Czech Philharmonic Chamber Orchestra, Dario SalviG Major09B95 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Allegro di moltoFelix Mendelssohn, London Symphony Orchestra, John Eliot GardinerE Major112B137 BPM
Passionnément, Acte I: I. Introduction. Terre, terre droit devant nous ! by André Messager, Véronique Gens, Nicole Car, Eric Huchet, Armando Noguera, Munich Radio Orchestra, Stefan BlunierPassionnément, Acte I: I. Introduction. Terre, terre droit devant nous !André Messager, Véronique Gens, Nicole Car, Eric Huchet, Armando Noguera, Munich Radio Orchestra, Stefan BlunierA Major411B83 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagioCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineA♭ Major14B118 BPM
Giselle / Act 1: Introduction by Adolphe Adam, Wiener Philharmoniker, Herbert von KarajanGiselle / Act 1: IntroductionAdolphe Adam, Wiener Philharmoniker, Herbert von KarajanE♭ Major15B135 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) by Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyEgipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyC Minor05A82 BPM
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) by Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De ToulouseGounod: Roméo et Juliette: Ouverture (Allegro maestoso)Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De ToulouseD Minor37A123 BPM
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanSerenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiacoPyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanF Minor14A62 BPM
Scènes de ballet, Op. 52: VI. Danse Orientale by Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander AnissimovScènes de ballet, Op. 52: VI. Danse OrientaleAlexander Glazunov, Moscow Philharmonic Orchestra, Alexander AnissimovA♭ Major04B78 BPM
ISRC
FRZ075301340
Label
L-M Records/RCA Records

Section: 0.724686861038208

End: 0.7301273345947266