"De Profundis, ZWV 50: No. 1 De profundis" by Jan Dismas Zelenka, Jonathan Sells, Mathis Koch, Sönke Tams Freier, Barockorchester Stuttgart, Frieder Bernius was released on September 28, 2018. With this song being about 5 minutes long, at 4:55, "De Profundis, ZWV 50: No. 1 De profundis" by Jan Dismas Zelenka, Jonathan Sells, Mathis Koch, Sönke Tams Freier, Barockorchester Stuttgart, Frieder Bernius is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zelenka: Missa Sancti Josephi; De Profundis; In Exitu Israel by Jan Dismas Zelenka, Julia Lezhneva, Tilman Lichdi, Daniel Taylor, Jonathan Sells, Sönke Tams Freier, Mathis Koch, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius. The song's track number on the album is #14 out of 22 tracks. Based on our data, Germany was the country where this track was produced or recorded. De Profundis, ZWV 50: No. 1 De profundis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since De Profundis, ZWV 50: No. 1 De profundis by Jan Dismas Zelenka, Jonathan Sells, Mathis Koch, Sönke Tams Freier, Barockorchester Stuttgart, Frieder Bernius has a tempo of 54 beats per a minute, the tempo markings of this song would be Lento (slowly). With De Profundis, ZWV 50: No. 1 De profundis being at 54 BPM, the half-time would be 27 BPM with a double-time of 108 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonatas, ZWV 181, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Paul Dombrecht, Marcel Ponseele, Danny Bond, Richte Van Der Meer, Robert Kohnen | A♭ Major | 2 | 4B | 101 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM | ||
Mass in B Minor, BWV 232: 12. Benedictus | Johann Sebastian Bach, Christoph Prégardien, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 4 | 3B | 180 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
V. Behalte nur, o Welt, das Meine! (Recitative) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Erika Tandiono | C Minor | 1 | 5A | 79 BPM | ||
Missa S. Marcellini: III. Kyrie - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 172 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM |
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