Le Concert Des Nations, Jordi Savall made "Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor)" available on January 1, 2002. The duration of Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor) is about 3 minutes long, at 3:29. Based on our data, "Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Le Concert Des Nations, Jordi Savall's "L'Orchestre De Louis XIII" album is number 10 out of 36. Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor) by Le Concert Des Nations, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flow, my tears | John Dowland, Andreas Martin, Andreas Scholl | F♯ Minor | 1 | 11A | 74 BPM | ||
Der Fluyten Lust-Hof: 130. Lavolette | Jacob van Eyck, Lucie Horsch | B Major | 0 | 1B | 62 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Sonate en Si Mineur, K. 27: Allegro | Domenico Scarlatti, Pierre Hantaï | B♭ Minor | 3 | 3A | 106 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Les Musiques Royales De 1643 À 1650: Sarabandes & Tambourin (Philidor) | Le Concert Des Nations, Jordi Savall | C Major | 1 | 8B | 88 BPM |
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