"Petrushka (1911 Version): Tableau 4: The Shrovetide Fair" by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky was released on February 7, 2017. Petrushka (1911 Version): Tableau 4: The Shrovetide Fair appears to be safe for all ages as it is not explicit. The song is number 4 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Petrushka (1911 Version): Tableau 4: The Shrovetide Fair is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petrushka (1911 Version): Tableau 4: The Shrovetide Fair by Igor Stravinsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in F Major: IV. Vif et agite | Maurice Ravel, Cavani Quartet | D Minor | 1 | 7A | 140 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 171 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM |
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