"Gounod: Roméo et Juliette, CG 9, Act 2 Scene 5: No. 9, Duo, "O nuit divine! je t'implore" (Roméo, Juliette, Gertrude)" by Charles Gounod, Alain Lombard, Orchestre de l'Opéra National de Paris was released on 1969. Since Gounod: Roméo et Juliette, CG 9, Act 2 Scene 5: No. 9, Duo, "O nuit divine! je t'implore" (Roméo, Juliette, Gertrude) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Roméo et Juliette - Gounod". In this album, this song's track order is #20. Gounod: Roméo et Juliette, CG 9, Act 2 Scene 5: No. 9, Duo, "O nuit divine! je t'implore" (Roméo, Juliette, Gertrude) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gounod: Roméo et Juliette, CG 9, Act 2 Scene 5: No. 9, Duo, "O nuit divine! je t'implore" (Roméo, Juliette, Gertrude) by Charles Gounod, Alain Lombard, Orchestre de l'Opéra National de Paris having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Ave María - Versión de Charles Gounod | Charles Gounod, Joaquin Pixan, Alejandro Zabala, David Hill, English Chamber Orchecstra | F Major | 1 | 7B | 177 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Main Theme From "Schindler's List" | John Williams, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Minor | 2 | 7A | 134 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Mozart: Clarinet Concerto In A major, K622 (Adagio) | John Barry | D Major | 0 | 10B | 80 BPM |
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