Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra made "Spartacus Ballet Suite No. 3: IV. Dance of Phrygia and the Parting Scene" available on January 1, 1991. With this song being about 5 minutes long, at 5:06, "Spartacus Ballet Suite No. 3: IV. Dance of Phrygia and the Parting Scene" by Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra's "Khachaturian: Spartacus Suites" album is number 13 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Spartacus Ballet Suite No. 3: IV. Dance of Phrygia and the Parting Scene is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Spartacus Ballet Suite No. 3: IV. Dance of Phrygia and the Parting Scene by Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 2, No Going for a Walk Today | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Fantasy on Polish Airs, Op. 13: Largo non troppo | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 0 | 11B | 81 BPM |
Section: 0.7095160484313965
End: 0.7138500213623047