Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung's 'Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour' came out on June 27, 2020. The duration of Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 45 in Bizet: An Introduction by Georges Bizet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act III: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Le docteur Miracle: Scene 2: Romance: Me gronder pour cela (Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | E♭ Major | 0 | 5B | 130 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM |
Section: 0.6879119873046875
End: 0.6952481269836426