Carl Philipp Emanuel Bach, Ana-Marija Markovina's 'Keyboard Sonata in C Minor, Wq. 48/4, H. 27, "Prussian Sonata No. 4": II. Adagio' came out on January 1, 2008. With this song being about 5 minutes long, at 4:38, "Keyboard Sonata in C Minor, Wq. 48/4, H. 27, "Prussian Sonata No. 4": II. Adagio" by Carl Philipp Emanuel Bach, Ana-Marija Markovina is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 21 in Bach, C.P.E.: Keyboard Sonatas, Wq. 48 / Keyboard Concerto, Wq. 26 by Carl Philipp Emanuel Bach, Ana-Marija Markovina, Federico Longo. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Keyboard Sonata in C Minor, Wq. 48/4, H. 27, "Prussian Sonata No. 4": II. Adagio is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Keyboard Sonata in C Minor, Wq. 48/4, H. 27, "Prussian Sonata No. 4": II. Adagio by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM |
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