Nicola Porpora, Dilyara Idrisova, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 1: "Lascia Rosmonda"" available on November 3, 2017. With Germanico in Germania / Act 1: "Lascia Rosmonda" being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #20. Germanico in Germania / Act 1: "Lascia Rosmonda" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 1: "Lascia Rosmonda" by Nicola Porpora, Dilyara Idrisova, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 69 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Maddalena ai piedi di Cristo: No. 28 Duetto Amor Celeste, Amor Terreno "La mia virtude" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | A♭ Minor | 2 | 1A | 138 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Germanico in Germania / Act 1: "Dunque sarà pur vero che lasciar tu non voglia sì barbaro pensiero?" | Nicola Porpora, Dilyara Idrisova, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus | E Major | 3 | 12B | 131 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
Didone abbandonata, Act III Scene XIII: Già si desta la tempesta | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | E Major | 6 | 12B | 130 BPM |
Section: 0.48506712913513184
End: 0.4887709617614746