- BPM
- 130
- Key
- F Minor
- Camelot
- 4A
La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo - Ludwig Minkus, English Chamber Orchestra, Richard Bonynge Information
- Acousticness
- 94%
- Danceability
- 25%
- Energy
- 14%
- Instrumentalness
- 72%
- Liveness
- 23%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 4%
- Loudness
- -20.214 dB
Summary
"La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 15 out of 42. Based on our statistics, La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo BPM
We consider the tempo marking of La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
La Bayadère / Act 1: No.16 Moderato - No.17 Allegro vivo Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | |
 | Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | F Major | 1 | 7B | 162 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | |
 | Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | |
 | Fee des Lilas (Variation VI) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | C Major | 3 | 8B | 116 BPM | |
 | La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | |
 | Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8332154750823975
End: 0.8369584083557129