"Lohengrin, Act I: Prelude" by Staatskapelle Berlin, Otmar Suitner was released on 1974. Since Lohengrin, Act I: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #1 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. Lohengrin, Act I: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, Act I: Prelude by Staatskapelle Berlin, Otmar Suitner has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, Act I: Prelude being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
The Dream of Gerontius, Op. 38 / Pt. 2: Low-born clods of brute earth | Edward Elgar, Catherine Wyn-Rogers, RIAS Kammerchor, Staatsopernchor Berlin, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 143 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) | Friedrich von Flotow, Erna Berger, Josef Greindl, Johannes Schüler, Staatskapelle Berlin, Else Tegetthoff | B♭ Major | 3 | 6B | 69 BPM | ||
Wagner: Tannhäuser, Act 3: "Heil! Heil! Der Gnade Wunder Heil!" (Pilger, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf) | Richard Wagner, Daniel Barenboim, Alfred Reiter, Gunnar Gudbjörnsson, Hanno Müller-Brachmann, René Pape, Staatskapelle Berlin, Stephan Rügamer, Thomas Hampson | E♭ Major | 2 | 5B | 158 BPM |
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