- BPM
- 69
- Key
- B♭ Major
- Camelot
- 6B
Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) - Friedrich von Flotow, Erna Berger, Josef Greindl, Johannes Schüler, Staatskapelle Berlin, Else Tegetthoff Information
- Acousticness
- 89%
- Danceability
- 40%
- Energy
- 33%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 78%
- Speechiness
- 15%
- Valence
- 42%
- Popularity
- 1%
- Loudness
- -13.126 dB
Summary
Friedrich von Flotow, Erna Berger, Josef Greindl, Johannes Schüler, Staatskapelle Berlin, Else Tegetthoff made "Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy)" available on 1962. Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 9 out of 25 in FLOTOW, F. Von: Martha (Opera) [Schuler] [1944] by Friedrich von Flotow, Johannes Schüler, Berlin State Opera Chorus, Staatskapelle Berlin. Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) BPM
The tempo marking of Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) by Friedrich von Flotow, Erna Berger, Josef Greindl, Johannes Schüler, Staatskapelle Berlin, Else Tegetthoff is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Martha: Act IV: Recitative and Duet: Fasst euch, Lady! (Nancy, Plumkett, Lady) - Duet: Ja, was nun? (Plumkett, Nancy) Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fatme, Akt II: "Doktor Babuk" | Friedrich von Flotow, Das Orchester des Landessender Beromünster, Christian Köchting, Ingeborg Hallstein, Franz Crass, Ferry Gruber, Thomas Hemsley, Georg Stern | F♯ Minor | 4 | 11A | 65 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | |
 | Dvorak: Rusalka: Mesicku na nebi hlubokem - Rusalka, Watersprite, Jezibaba - Act One | Antonín Dvořák, Teresa Stratas, Willard White, Gwendolyn Killebrew | F♯ Major | 1 | 2B | 95 BPM | |
 | A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | |
 | Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | |
 | Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | A Minor | 1 | 8A | 85 BPM | |
 | Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | |
 | Peer Gynt, Op. 23, Act IV Scene 10: Solveigs sang (Solveig's Song) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E♭ Major | 1 | 5B | 153 BPM | |
 | Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7775058746337891
End: 0.7814338207244873