Bach, JS: Mass in B Minor, BWV 232: Benedictus - Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Kurt Equiluz, Vienna Boys' Choir, Concentus Musicus Wien Information

Acousticness: 94%
Danceability: 22%
Energy: 12%
Instrumentalness: 9%
Liveness: 8%
Loudness: 66%
Speechiness: 5%
Valence: 34%
Popularity: 0%
Loudness: -20.194 dB

Summary

Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Kurt Equiluz, Vienna Boys' Choir, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Benedictus' had a release date set for January 1, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 24 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Mass in B Minor, BWV 232: Benedictus BPM

The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Benedictus by Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Kurt Equiluz, Vienna Boys' Choir, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Mass in B Minor, BWV 232: Benedictus Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio	Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp	C Minor	1	5A	84 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai	Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment	E Major	3	12B	109 BPM
King Arthur, Z. 628, "The British Worthy": Air	Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett	D♭ Minor	0	12A	114 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Berceuse in D-Flat Major, Op. 57	Frédéric Chopin, Maurizio Pollini	D♭ Major	1	3B	69 BPM
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro	Arcangelo Corelli, Enrico Onofri	G Major	3	9B	116 BPM
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio	Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra	E♭ Minor	2	2A	77 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM

ISRC: DEA800115167
Label: L-M Records/RCA Records