Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth's 'Gotterdammerung (Twilight of the Gods), Act II Scene 1: Act II Scene 1: Der Ewigen Macht, wer erbte sie? (Hagen, Alberich)' came out on May 1, 2015. Gotterdammerung (Twilight of the Gods), Act II Scene 1: Act II Scene 1: Der Ewigen Macht, wer erbte sie? (Hagen, Alberich) is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #3 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods), Act II Scene 1: Act II Scene 1: Der Ewigen Macht, wer erbte sie? (Hagen, Alberich) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods), Act II Scene 1: Act II Scene 1: Der Ewigen Macht, wer erbte sie? (Hagen, Alberich) by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Gotterdammerung (Twilight of the Gods), Act II Scene 1: Act II Scene 1: Der Ewigen Macht, wer erbte sie? (Hagen, Alberich) being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Die Walküre / Erster Aufzug: "Wes Herd dies auch, hier muß ich rasten" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 92 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Tannhäuser / Act II: "Gar viel und schön" | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM |
Section: 0.6856164932250977
End: 0.6907248497009277