"Le dernier jour d'un condamné / Acte I: Monsieur, je suis huissier" by David Alagna, Roberto Alagna, Jean-Philippe Lafont, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Le dernier jour d'un condamné / Acte I: Monsieur, je suis huissier's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 23 out of 41. On top of that, France appears to be the country where this track was created. In terms of popularity, Le dernier jour d'un condamné / Acte I: Monsieur, je suis huissier is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Monsieur, je suis huissier by David Alagna, Roberto Alagna, Jean-Philippe Lafont, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): III. L'ombre des arbres | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Usta Milcza Dusza Spiewa | Lukasz Karauda | G Major | 2 | 9B | 110 BPM | ||
Le dernier jour d'un condamné / Acte I: Cinq semaines avec cette pensée | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 0 | 3B | 69 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Major | 3 | 8B | 178 BPM | ||
The Merry Widow / Act 1: Anna's Entrance: Gentlemen, no more | Franz Lehár, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A Major | 2 | 11B | 87 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Zlatne suze | Stijepo Gleđ Markos | D Major | 6 | 10B | 80 BPM | ||
Doña Francisquita, Act III: Canto Alegre de la Juventud (Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | E Major | 4 | 12B | 85 BPM | ||
La tarántula é un bicho mú malo (La Tempranica) | Geronimo Gimenez, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM |