On July 5, 2011, the song "Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro" was released by Antonio Vivaldi, Martin Rummel, James Tibbles. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #4 out of 48 tracks. In terms of popularity, Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro by Antonio Vivaldi, Martin Rummel, James Tibbles has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: IV. Corrente: Allegro being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 3. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM |
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