"Vox clamantis in Deserto" by Jan Wanning, Cappella Gedanensis was released on 2019. With Vox clamantis in Deserto being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Skarby Muzyki Dawnego Gdańska XIV-XVII w. (Music Treasures of Old Gdańsk XIX-XVII. O Maria Rubens Rosa...)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Poland. Based on our statistics, Vox clamantis in Deserto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vox clamantis in Deserto by Jan Wanning, Cappella Gedanensis having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610: Dixit Dominus | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Jeremy Budd, Harry Christophers, The Sixteen | A Minor | 1 | 8A | 76 BPM | ||
Mignonne, allon voir si la roze | Guillaume Costeley, Ludus Modalis, Bruno Boterf | F♯ Minor | 1 | 11A | 118 BPM | ||
Cantica Beatae Virginis - Hymn Ave Maria, For 4 Voices (Attributed; 1575-1600) | Jordi Savall, Tomás Luis de Victoria | D Minor | 1 | 7A | 167 BPM | ||
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Josquin: Missa D'ung aultre amer - 5e. Audi nostra suspiria | Josquin des Prez, The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 131 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Funeral Sentences For Queen Mary: In The Midst Of Life | Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins | C Minor | 0 | 5A | 88 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Responsories for Good Friday Nocturn 2: II. Tenebrae factae sunt | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 0 | 6A | 172 BPM |
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