Guillaume Costeley, Ludus Modalis, Bruno Boterf's 'Mignonne, allon voir si la roze' came out on February 4, 2013. The duration of Mignonne, allon voir si la roze is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mignonne, allon voir si la roze's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guillaume Costeley, Ludus Modalis, Bruno Boterf's "Guillaume Costeley: Mignonne allons voir si la rose" album is number 1 out of 27. In terms of popularity, Mignonne, allon voir si la roze is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mignonne, allon voir si la roze by Guillaume Costeley, Ludus Modalis, Bruno Boterf to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 1 (Il primo libro di madrigali): Deh, or foss'io col vago della luna | Giovanni Pierluigi da Palestrina, Concerto Italiano, Rinaldo Alessandrini | B♭ Minor | 0 | 3A | 98 BPM | ||
Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Le Chant des Oyseaulx | Clément Janequin, Dominique Visse, Ensemble Clément Janequin | A♭ Minor | 4 | 1A | 81 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 40: No. 1, E dicea l’una sospirando all’hora | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rossana Bertini, Rosa Dominguez, Claudio Cavina, Sandro Naglia, Daniele Carnovich | E♭ Minor | 0 | 2A | 89 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |
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