"Vespers of 1610: Dixit Dominus" by Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Jeremy Budd, Harry Christophers, The Sixteen was released on September 29, 2014. Since Vespers of 1610: Dixit Dominus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 2 out of 37. Vespers of 1610: Dixit Dominus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610: Dixit Dominus by Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Jeremy Budd, Harry Christophers, The Sixteen to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
My heart is inditing: My heart is inditing | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | A♭ Major | 1 | 4B | 115 BPM | ||
Sheppard: Libera nos | John Sheppard, The Sixteen, Harry Christophers | C Major | 1 | 8B | 120 BPM | ||
Laudate Pueri (Psalm 112): Laudate Pueri Dominum | George Frideric Handel, Alfred Deller, The Deller Consort | D♭ Major | 1 | 3B | 93 BPM | ||
Morir non può il mio core | Maddalena Casulana, The Sixteen, Harry Christophers | G Major | 1 | 9B | 131 BPM | ||
Quatre Motets pour un temps de pénitence, FP 97: IV. Tristis est anima mea | Francis Poulenc, The Sixteen, Harry Christophers | G Minor | 0 | 6A | 76 BPM | ||
L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi? | Claudio Monteverdi, Jordi Savall, Gerd Türk, Carlos Mena, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 128 BPM | ||
Reincarnations, Op. 16: III. The Coolin | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Minor | 1 | 6A | 103 BPM |
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