"Sonata Settima: I. Preludio" by Francisco José de Castro, Becky Baxter, Danny Mallon, Chatham Baroque was released on January 1, 2000. The duration of Sonata Settima: I. Preludio is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sonata Settima: I. Preludio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. Sonata Settima: I. Preludio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata Settima: I. Preludio by Francisco José de Castro, Becky Baxter, Danny Mallon, Chatham Baroque is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM | ||
Trio Sonata, Op. 1 No. 1: III. Corrente. Allegro | Francisco José de Castro, La Real Cámara | D Major | 1 | 10B | 173 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro | George Frideric Handel, London Baroque | F♯ Minor | 2 | 11A | 133 BPM | ||
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Concerto Primo co'l Violoncello obligato à carte (re mayor) - IV. Andante | Francisco José de Castro, Public Domain, Francisco José de Castro, Vicent Llimerà, Vicent Campos, Collegium Instrumentale | D Major | 1 | 10B | 78 BPM | ||
Sinfonia per violoncello in G Minor: III. Largo | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | B Minor | 3 | 10A | 86 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Viola d'amore Concerto in D Major, RV 392: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 133 BPM |
Section: 0.622797966003418
End: 0.6269774436950684