"Sonata for Solo Cello, Op. 8: II. Adagio (con grand' espressione)" by Zoltán Kodály was released on April 30, 2021. Sonata for Solo Cello, Op. 8: II. Adagio (con grand' espressione) appears to be safe for all ages as it is not explicit. There are a total of 27 in the song's album "The Cellist". In this album, this song's track order is #15. Sonata for Solo Cello, Op. 8: II. Adagio (con grand' espressione) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Solo Cello, Op. 8: II. Adagio (con grand' espressione) by Zoltán Kodály having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
Elégie Pour Violoncelle | Philippe Hersant, Olivier Penard, Vincent Paulet, Zoltan Kodaly, Fabrice Bihan | G Major | 1 | 9B | 141 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM |
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