Andrea Falconieri, Becky Baxter, Danny Mallon, Chatham Baroque's 'Folias echa para mi Senora Dona Tarolilla de Carallenos' came out on January 1, 2000. With this song being about 5 minutes long, at 4:40, "Folias echa para mi Senora Dona Tarolilla de Carallenos" by Andrea Falconieri, Becky Baxter, Danny Mallon, Chatham Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. Folias echa para mi Senora Dona Tarolilla de Carallenos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Folias echa para mi Senora Dona Tarolilla de Carallenos by Andrea Falconieri, Becky Baxter, Danny Mallon, Chatham Baroque is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
O bellissimi capelli | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | F Major | 1 | 7B | 100 BPM | ||
Concert XLVIII: Le Raporté | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | F Minor | 1 | 4A | 78 BPM | ||
Suite in E Minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Jhon Come Kisse Me Now (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Suite for 2 Lutes in Bb (Baron) - Bouree | Edward Martin and Paul Berget | A Major | 2 | 11B | 76 BPM | ||
La Suave Melodia y Su Corrente | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | D Minor | 0 | 7A | 87 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM |
Section: 0.6103274822235107
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