Robert de Visée, Yasunori Imamura made "Suite in E Minor: VII. La Montsermeil - Rondeau" available on January 1, 1993. With Suite in E Minor: VII. La Montsermeil - Rondeau being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #28 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. Suite in E Minor: VII. La Montsermeil - Rondeau is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Suite in E Minor: VII. La Montsermeil - Rondeau by Robert de Visée, Yasunori Imamura has a tempo of 49 beats per a minute, the tempo markings of this song would be Lento (slowly). With Suite in E Minor: VII. La Montsermeil - Rondeau being at 49 BPM, the half-time would be 24 BPM with a double-time of 98 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poi che volse (Renaissance Lute) | Joan Ambrosio Dalza, Beatrice Pornon | G Minor | 0 | 6A | 74 BPM | ||
Trio sonata no 2 in g minor ; Andante | Giovanni Bononcini, Yasunori Imamura, Fons Musicae | F♯ Minor | 2 | 11A | 79 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Première suite à 3 violes in D Major: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 113 BPM | ||
Sonata No. 4 in G major, WeissSW 5: I. Prelude | Silvius Leopold Weiss, Evangelina Mascardi | C Minor | 1 | 5A | 86 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
Suite in C Major: II. Allemanda | Francesco Corbetta, Pierre Pitzl, Private Musicke | G Major | 0 | 9B | 103 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM |
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