Giovanni Bononcini, Yasunori Imamura, Fons Musicae made "Trio sonata no 2 in g minor ; Andante" available on January 1, 2000. With Trio sonata no 2 in g minor ; Andante being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Bononcini, Yasunori Imamura, Fons Musicae's "Giovanni Bononcini, Luci Barbare, Cantate, Duetti, Sonate" album is number 2 out of 28. On top of that, France appears to be the country where this track was created. Trio sonata no 2 in g minor ; Andante is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Trio sonata no 2 in g minor ; Andante by Giovanni Bononcini, Yasunori Imamura, Fons Musicae to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: "Occhi mesti" | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri, Leonardo Vinci | B Minor | 1 | 10A | 127 BPM | ||
Divertimento II in A Minor: III. Largo | Giovanni Bononcini, Giovanni Paganelli | A♭ Minor | 3 | 1A | 126 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Ayres for the Violin, Book 1 (Excerpts): Adagio | Nicola Matteis, Veronika Skuplik, Andreas Arend | A♭ Minor | 2 | 1A | 78 BPM | ||
Stabat Mater in F Minor, RV 621: No. 6., Pro peccatis suæ gentis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |
Section: 0.5932762622833252
End: 0.5975592136383057