- BPM
- 80
- Key
- E♭ Major
- Camelot
- 5B
Carmen Suite No. 1: Intermezzo - Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 86%
- Danceability
- 17%
- Energy
- 3%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 43%
- Loudness
- -31.16 dB
Summary
"Carmen Suite No. 1: Intermezzo" by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1988. The duration of Carmen Suite No. 1: Intermezzo is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Carmen Suite No. 1: Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Carmen Suite No. 1: Intermezzo is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmen Suite No. 1: Intermezzo BPM
The tempo marking of Carmen Suite No. 1: Intermezzo by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Carmen Suite No. 1: Intermezzo Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | |
 | Carmen Suite No.1: Séguidille | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 172 BPM | |
 | Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | |
 | Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | |
 | Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 60 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Nessun Dorma | Giacomo Puccini, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 5 | 10B | 96 BPM | |
 | L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM |
- ISRC
- GBF078611352
- Label
- L-M Records/RCA Records
Section: 0.6395349502563477
End: 0.6430070400238037