André Campra, Patrick Bismuth, La Tempesta, Les Chantres du Centre de Musique Baroque de Versailles made "Le destin du nouveau siècle, Premier récit: Le destin du nouveau siècle, Premier récit: Vains soupirs faux plaisirs (Un du parti de la paix, qui l’abandonne pour se donner à Mars)" available on March 11, 2022. With Le destin du nouveau siècle, Premier récit: Le destin du nouveau siècle, Premier récit: Vains soupirs faux plaisirs (Un du parti de la paix, qui l’abandonne pour se donner à Mars) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 51 in Campra: Le destin du nouveau siècle by André Campra, La Tempesta, Mathias Vidal, Florie Valiquette, Claire Lefilliâtre, Patrick Bismuth, Marc Mauillon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Le destin du nouveau siècle, Premier récit: Le destin du nouveau siècle, Premier récit: Vains soupirs faux plaisirs (Un du parti de la paix, qui l’abandonne pour se donner à Mars) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Le destin du nouveau siècle, Premier récit: Le destin du nouveau siècle, Premier récit: Vains soupirs faux plaisirs (Un du parti de la paix, qui l’abandonne pour se donner à Mars) by André Campra, Patrick Bismuth, La Tempesta, Les Chantres du Centre de Musique Baroque de Versailles is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 19, Mein Jesu! was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Se non soccorri, amore | Marchetto Cara, Julian Podger, Robert Meunier, Guy Ross | E Minor | 1 | 9A | 118 BPM | ||
Masque of Neptune and Amphitrite: "Great Nephew Aeolus" | Pelham Humfrey, Nicky Kennedy, Rachel Elliott, Roderick Williams, Andrew King, Paul Agnew, Musicians Of The Globe, Philip Pickett | A Major | 1 | 11B | 100 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM |
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