Manuel Barrueco, David Tanenbaum made "Lennon / McCartney: She's Leaving Home (Arr. Leo Brouwer)" available on August 8, 1995. The duration of Lennon / McCartney: She's Leaving Home (Arr. Leo Brouwer) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Lennon / McCartney: She's Leaving Home (Arr. Leo Brouwer)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Barrueco's "Manual Barrueco plays Lennon & McCartney" album is number 5 out of 13. Based on our statistics, Lennon / McCartney: She's Leaving Home (Arr. Leo Brouwer)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lennon / McCartney: She's Leaving Home (Arr. Leo Brouwer) by Manuel Barrueco, David Tanenbaum to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer) | Manuel Barrueco, London Symphony Orchestra, Jeremy Lubbock | G Major | 1 | 9B | 95 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
25 Etudes, Op. 38: No. 11 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 1 | 9B | 101 BPM | ||
Castillos de Espana II: No. 7. Montemayor | Federico Moreno Torroba, Ana Vidovic | A Minor | 0 | 8A | 130 BPM | ||
Deutsche Weise (German Air) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 101 BPM | ||
Fantasia Que Contrahaze la Harpa en la Manera de Ludovico | Alonso Mudarra, Los Angeles Guitar Quartet | D Major | 2 | 10B | 93 BPM | ||
Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 97 BPM | ||
Castillos de Espana II: Torija (Elegia) | Federico Moreno Torroba, Pablo Sainz Villegas | D Major | 0 | 10B | 100 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Julia Florida: Barcarola | Jason Vieaux | D Major | 0 | 10B | 73 BPM |
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