Manuel Barrueco, London Symphony Orchestra, Jeremy Lubbock's 'Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer)' came out on August 8, 1995. The duration of Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer) is about 3 minutes long, at 3:19. Based on our data, "Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Manuel Barrueco's "Manual Barrueco plays Lennon & McCartney" album is number 2 out of 13. In terms of popularity, Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lennon / McCartney: Here, There and Everywhere (Arr. Leo Brouwer) by Manuel Barrueco, London Symphony Orchestra, Jeremy Lubbock to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodrigo: 3 Piezas españolas: No. 3, Zapateado | Joaquín Rodrigo, Manuel Barrueco | B Minor | 2 | 10A | 106 BPM | ||
5 Preludios: No. 2, Preludio Triston | Maximo Diego Pujol, Jason Vieaux | C Major | 0 | 8B | 88 BPM | ||
25 Etudes for Guitar, Op. 38: Etude No. 3 in D Minor | Napoléon Coste, Flavio Apro | E Minor | 1 | 9A | 107 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
La paloma (Arr. for Guitar by Francisco Tárrega) | Sebastián Iradier, Pablo Sainz Villegas | D Major | 0 | 10B | 128 BPM | ||
Canarios | Gaspar Sanz, Timo Korhonen | D Major | 1 | 10B | 168 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Turina: Homenaje a Tárrega, Op. 69: I. Garrotín. Allegretto | Joaquín Turina, Manuel Barrueco | G Major | 1 | 9B | 99 BPM | ||
36 Caprices, Op. 20: IX. Largo | Luigi Legnani, Pavel Steidl | E Minor | 1 | 9A | 78 BPM | ||
Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | D Major | 1 | 10B | 116 BPM |
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