Alonso Mudarra, Los Angeles Guitar Quartet made "Fantasia Que Contrahaze la Harpa en la Manera de Ludovico" available on March 17, 2015. With Fantasia Que Contrahaze la Harpa en la Manera de Ludovico being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "New Renaissance". In this album, this song's track order is #13. In terms of popularity, Fantasia Que Contrahaze la Harpa en la Manera de Ludovico is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fantasia Que Contrahaze la Harpa en la Manera de Ludovico by Alonso Mudarra, Los Angeles Guitar Quartet having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite del recuerdo: Zamba | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 84 BPM | ||
5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
Prelude | Jorge Morel, Celil Refik Kaya | E Minor | 0 | 9A | 94 BPM | ||
Alki Point | Kevin Callahan, Los Angeles Guitar Quartet | G Major | 2 | 9B | 107 BPM | ||
Tiento para arpa (for harp) | Alonso Mudarra, La Trulla de Bozes, Manuel Vilas, Carlos Sandúa | D Minor | 1 | 7A | 133 BPM | ||
The Black Horse Troop (arr. for guitar quartet) | John Philip Sousa, Andrew York, Los Angeles Guitar Quartet | E Major | 2 | 12B | 128 BPM | ||
13 Catalan Folksongs: Lo fill del rey | Miguel Llobet Solés, Lorenzo Micheli | D Major | 0 | 10B | 97 BPM | ||
24 Preludes: No. 24 In D Minor | Adam Holzman, Manuel Ponce | D Major | 0 | 10B | 95 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 18 in E Minor | Fernando Sor, Timo Korhonen | E Minor | 0 | 9A | 108 BPM | ||
Preludios Epigramaticos: No. 5 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM |
Section: 0.5319452285766602
End: 0.5371308326721191