Tiento para arpa (for harp)
Alonso Mudarra, La Trulla de Bozes, Manuel Vilas, Carlos Sandúa
Secular Polyphony of the Andalusian School: Sevilla circa 1560
1:50 November 12, 2012
BPM
133
Key
D Minor
Camelot
7A

Embed

Share Link

Tiento para arpa (for harp) - Alonso Mudarra, La Trulla de Bozes, Manuel Vilas, Carlos Sandúa Information

Acousticness
99%
Danceability
19%
Energy
8%
Instrumentalness
88%
Liveness
11%
Loudness
62%
Speechiness
4%
Valence
12%
Popularity
Loudness
-22.767 dB

Summary

"Tiento para arpa (for harp)" by Alonso Mudarra, La Trulla de Bozes, Manuel Vilas, Carlos Sandúa was released on November 12, 2012. With Tiento para arpa (for harp) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Secular Polyphony of the Andalusian School: Sevilla circa 1560". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Tiento para arpa (for harp)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tiento para arpa (for harp) BPM

With Tiento para arpa (for harp) by Alonso Mudarra, La Trulla de Bozes, Manuel Vilas, Carlos Sandúa having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Tiento para arpa (for harp) Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tarantella by David Douglass, The King's NoyseTarantellaDavid Douglass, The King's NoyseE Major212B139 BPM
Mrs. White's Nothing, P. 56 by John Dowland, Nigel NorthMrs. White's Nothing, P. 56John Dowland, Nigel NorthF Minor14A68 BPM
Concert for 2 Guitars in E Minor: Menuet by Francesco Corbetta, Eric Bellocq, Massimo MoscardoConcert for 2 Guitars in E Minor: MenuetFrancesco Corbetta, Eric Bellocq, Massimo MoscardoF♯ Major12B106 BPM
D'un autre amer: D'ung aultre amer by Johannes Ockeghem, Capilla FlamencaD'un autre amer: D'ung aultre amerJohannes Ockeghem, Capilla FlamencaD Minor17A86 BPM
Galanterie Pièce by Silvius Leopold Weiss, Lutz KirchhofGalanterie PièceSilvius Leopold Weiss, Lutz KirchhofD Major110B100 BPM
Da Ripa : Part III: Nunc Mater exora natum by HeringmanDa Ripa : Part III: Nunc Mater exora natumHeringmanA Major011B96 BPM
Byrd: In nomine a 5 IV by William Byrd, FretworkByrd: In nomine a 5 IVWilliam Byrd, FretworkC Minor15A182 BPM
Première Suytte de Branles d'Escosse by Pierre Attaingnant, The King's Noyse, David DouglassPremière Suytte de Branles d'EscossePierre Attaingnant, The King's Noyse, David DouglassE♭ Major15B98 BPM
Pass'emezzo antico: Recercada primera by Diego Ortiz, Mika Suihkonen, Ballo della BattaliaPass'emezzo antico: Recercada primeraDiego Ortiz, Mika Suihkonen, Ballo della BattaliaA♭ Minor21A76 BPM
Suonata: Preludio by Giovanni Zamboni, Edin KaramazovSuonata: PreludioGiovanni Zamboni, Edin KaramazovC Minor15A123 BPM
ISRC
BEE020293604
Label
L-M Records/RCA Records

Section: 0.4680149555206299

End: 0.4718785285949707