- BPM
- 86
- Key
- B♭ Minor
- Camelot
- 3A
On The Sea Shore (arr. for orchestra) - Arnold Bax, Graham Parlett, Ulster Orchestra, Vernon Handley Information
- Acousticness
- 84%
- Danceability
- 9%
- Energy
- 16%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -18.167 dB
Summary
"On The Sea Shore (arr. for orchestra)" by Arnold Bax, Graham Parlett, Ulster Orchestra, Vernon Handley had its release date on 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Britten: 4 Sea Interludes / Passacaglia / Bridge: The Sea by Vernon Handley. On The Sea Shore (arr. for orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
On The Sea Shore (arr. for orchestra) BPM
The tempo marking of On The Sea Shore (arr. for orchestra) by Arnold Bax, Graham Parlett, Ulster Orchestra, Vernon Handley is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
On The Sea Shore (arr. for orchestra) Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | |
 | Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | |
 | Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | |
 | Bax: Elegiac Trio | Triocca, Arnold Bax, Nancy Johnson, Ríona Ó'Duinnín, Geraldine O'Doherty | D Minor | 0 | 7A | 83 BPM | |
 | Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | |
 | Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | |
 | The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | |
 | Variations on a Theme by Haydn, Op. 56a: Var. 4, Andante con moto | Johannes Brahms, Yoel Levi, Atlanta Symphony Orchestra | E♭ Minor | 0 | 2A | 89 BPM | |
 | Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | |
 | Woodland Suite: III. Moon-Fairy (Arr. Of In Pixieland for strings and wind) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | B♭ Major | 0 | 6B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records