Johann Michael Bach, Choir of Clare College, Cambridge, Timothy Brown's 'Sei lieber Tag wilkommen' had a release date set for 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Bach Family Motets by Choir of Clare College, Cambridge, Timothy Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sei lieber Tag wilkommen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sei lieber Tag wilkommen by Johann Michael Bach, Choir of Clare College, Cambridge, Timothy Brown is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei, lieber Tag, willkommen | Johann Michael Bach, The Choir Of Trinity College, Cambridge | D Major | 1 | 10B | 104 BPM | ||
Stabat Mater: V. Tui nati vulnerati | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 89 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM |