Begrabnisgesang, Op. 13
Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Brahms: Schicksalslied, Op. 54 / 4 Songs, Op. 17 / Nanie, Op. 82
8:00 January 1, 2000
BPM
175
Key
C Minor
Camelot
5A

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Begrabnisgesang, Op. 13 - Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling Information

Acousticness
99%
Danceability
12%
Energy
5%
Instrumentalness
4%
Liveness
9%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.599 dB

Summary

"Begrabnisgesang, Op. 13" by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling was released on January 1, 2000. Since Begrabnisgesang, Op. 13 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Brahms: Schicksalslied, Op. 54 / 4 Songs, Op. 17 / Nanie, Op. 82 by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Begrabnisgesang, Op. 13 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Begrabnisgesang, Op. 13 BPM

The tempo marking of Begrabnisgesang, Op. 13 by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Begrabnisgesang, Op. 13 Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC
DEA559708984
Label
L-M Records/RCA Records

Section: 0.7766897678375244

End: 0.7797889709472656