Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground" available on January 1, 1990. With this song being about 5 minutes long, at 4:43, "The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground" by Henry Purcell, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #11. In terms of popularity, The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | G Major | 2 | 9B | 84 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 140 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir | Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson | D♭ Major | 1 | 3B | 145 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance | Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 128 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in F major, Op. 6, No. 2: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | D♭ Minor | 2 | 12A | 93 BPM | ||
Suite from Abdelazar, Z. 570: II. Rondeau | Henry Purcell, Purcell Quartet | D♭ Minor | 0 | 12A | 103 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | F♯ Major | 3 | 2B | 129 BPM |
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