"3 Songs to Poems by Walter de la Mare: No. 1, Noon" by Doreen Carwithen, James Gilchrist, Nathan Williamson was released on June 18, 2021. The duration of 3 Songs to Poems by Walter de la Mare: No. 1, Noon is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. 3 Songs to Poems by Walter de la Mare: No. 1, Noon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "One Hundred Years of British Song, Vol. 2". In this album, this song's track order is #19. 3 Songs to Poems by Walter de la Mare: No. 1, Noon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Songs to Poems by Walter de la Mare: No. 1, Noon by Doreen Carwithen, James Gilchrist, Nathan Williamson having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune, CD 87 | Claude Debussy, Les Siècles, François-Xavier Roth | A♭ Minor | 1 | 1A | 109 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Sheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow | D Major | 1 | 10B | 61 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Suite bergamasque, L. 75: No. 3, Clair de lune | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Summer Music | Arnold Bax, Bryden Thomson, Ulster Orchestra | F Major | 0 | 7B | 72 BPM | ||
Boys in Brown Suite: II. Escape Plan | Doreen Carwithen, Gavin Sutherland, BBC Concert Orchestra | G Minor | 0 | 6A | 73 BPM | ||
The Red Pony Suite: I. Morning On The Ranch | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 1 | 7B | 75 BPM | ||
To the Public Danger (Prelude and Apotheosis) | Doreen Carwithen, Gavin Sutherland, BBC Concert Orchestra | C Minor | 1 | 5A | 73 BPM |
Section: 0.7751908302307129
End: 0.780296802520752