"Sheherazade, Op. 35: III. The Young Prince and the Young Princess" by Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow was released on August 1, 2014. Sheherazade, Op. 35: III. The Young Prince and the Young Princess appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Rimsky-Korsakov: Sheherazade, Op. 35". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Sheherazade, Op. 35: III. The Young Prince and the Young Princess is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sheherazade, Op. 35: III. The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Suite for Violin & Piano: No. 2, Mother & Child | William Grant Still, Rachel Barton Pine, Matthew Hagle | D♭ Minor | 1 | 12A | 81 BPM | ||
Piano Concerto No.2 in C minor, Op.18: 1. Moderato | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Minor | 1 | 5A | 89 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, Khatia Buniatishvili | B♭ Minor | 0 | 3A | 135 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Violin Concerto In D Major, Op. 35: 2. Romance: Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM |
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