"Offenbach: La Princesse de Trébizonde: Entracte to Act II" by Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra was released on September 22, 2023. The duration of Offenbach: La Princesse de Trébizonde: Entracte to Act II is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Offenbach: La Princesse de Trébizonde: Entracte to Act II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Offenbach: La Princesse de Trébizonde". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. The popularity of Offenbach: La Princesse de Trébizonde: Entracte to Act II is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Offenbach: La Princesse de Trébizonde: Entracte to Act II by Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
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