"Glasgow Love Theme - from "Love Actually"" by Claire Jones, English Chamber Orchestra, Stuart Morley had its release date on March 18, 2016. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Royal Harp Strings". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Glasgow Love Theme - from "Love Actually" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glasgow Love Theme - from "Love Actually" by Claire Jones, English Chamber Orchestra, Stuart Morley having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery, Christopher Warren-Green, Robert Truman | E♭ Major | 3 | 5B | 101 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 120 BPM | ||
Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 106 BPM | ||
Swan Lake, Op. 20, Act I, No. 2: Valse. Intrada (Tempo di valse - Valse) | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra | A Major | 1 | 11B | 70 BPM | ||
Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] | Charles Gounod, Maurice André, Jane Parker-Smith | F Major | 2 | 7B | 72 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Raymond Leppard, English Chamber Orchestra | D Major | 2 | 10B | 136 BPM | ||
Fantasia on Greensleeves | Traditional, Ralph Vaughan Williams, Britten Sinfonia, Nicholas Cleobury | C Minor | 1 | 5A | 87 BPM | ||
Noah’s Visit - The Gravel Road - The Vote (From "The Village") | Angèle Dubeau, La Pietà | F Minor | 2 | 4A | 88 BPM | ||
Song of the Birds (Arr. Casals) | Anonymous, Sheku Kanneh-Mason, CBSO Cellos | A Minor | 1 | 8A | 80 BPM |