"Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ]" by Charles Gounod, Maurice André, Jane Parker-Smith was released on 1987. The duration of Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] is about 3 minutes long, at 3:01. Based on our data, "Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Trumpet & Organ". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gounod: Ave Maria, CG 89a (After Bach's Prelude, BWV 846) [Arr. for Trumpet and Organ] by Charles Gounod, Maurice André, Jane Parker-Smith having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hallelujah Chorus | Treorchy Male Voice Choir | D Major | 2 | 10B | 106 BPM | ||
Abschied vom Walde, op. 59 | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | ||
Ave Maria, Op. 52 No. 6 - Irwin Kostal Re-Record 1982 | Irwin Kostal, Disney Studio Orchestra, Disney Studio Chorus | G Major | 2 | 9B | 172 BPM | ||
Concerto Pastorale In G Major: 2. Aria 1: a tempo giusto - Aria 2: Lento e sempre piano - Aria 3: Tempo die Menuetto | Johann Melchior Molter, Trevor Pinnock, The English Concert | F♯ Minor | 0 | 11A | 96 BPM | ||
Love Came | Peter Gregson | C Major | 0 | 8B | 136 BPM | ||
Concerto grosso In G Minor, Op.6, No.8 "fatto per la notte di Natale": 3. Vivace | Capella Coloniensis, August Wenzinger, Ulrich Grehling, Otto Schaernack, Gerhard Stenzel, Fritz Neumeyer | F♯ Minor | 1 | 11A | 67 BPM | ||
Trumpet Voluntary | Jeremiah Clarke, Philip Jones, Elgar Howarth, The Philip Jones Brass Ensemble | A Major | 1 | 11B | 110 BPM | ||
'Lascia Ch'io Pianga' Uit Rinaldo | Mastreechter Staar | G Major | 1 | 9B | 91 BPM | ||
Oratorio de Noel, Op. 12: Quintet and Chorus: Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | A Minor | 2 | 8A | 83 BPM | ||
Silent Night, ARV_11 | André Rieu, Johann Strauss Orchestra | C Major | 3 | 8B | 65 BPM |
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