Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate's ' "Piano Concerto No. 23 in A Major, K. 488: 2. Adagio" was released on its scheduled release date, January 1, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate's "Mozart: Piano Concertos Nos. 22 & 23" album is number 5 out of 6. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 23 in A Major, K. 488: 2. Adagio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Concerto No. 23 in A Major, K. 488: 2. Adagio by Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Schwanengesang, S. 560 - piano transcriptions after Schubert: No. 4: Ständchen | Franz Liszt, Brigitte Engerer | D Minor | 0 | 7A | 66 BPM | ||
12 Danzas españolas, Op. 37: 2. Oriental | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 66 BPM | ||
Monti / Transcr. Capuçon, G: Csárdás | Vittorio Monti, Gautier Capuçon, Jerome Ducros | D Minor | 1 | 7A | 92 BPM | ||
Horn Quintet in E flat, K.407: 2. Andante | Wolfgang Amadeus Mozart, Hermann Baumann, Karl Suske, Dietmar Hallman, Olaf Hallmann, Christian Ockert | B♭ Major | 0 | 6B | 79 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Leila Josefowicz, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 98 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Danzas Peregrinas: No. 1. Preludio | Horacio Salinas, J.M. Tobar, John C. Williams, English Chamber Orchestra, Paul Daniel | D Major | 0 | 10B | 140 BPM | ||
Fauré / Orch. Ducros: Pavane, Op. 50 | Gabriel Fauré, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM |