Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado's 'Wozzeck / Act II: Scene II: Street in Town. "Wohin so eilig"' came out on January 1, 1988. Since Wozzeck / Act II: Scene II: Street in Town. "Wohin so eilig" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wozzeck / Act II: Scene II: Street in Town. "Wohin so eilig" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act II: Scene II: Street in Town. "Wohin so eilig" by Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | F♯ Minor | 0 | 11A | 89 BPM | ||
Turangalîla Symphonie: 5. Joie du sang des étoiles | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 5 | 2A | 121 BPM | ||
Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Major | 0 | 6B | 168 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Sieben frühe Lieder: 7. Sommertage | Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 3 | 6B | 122 BPM | ||
Wozzeck / Act 2: Scene 5: Guardroom In The Barracks. "Oh oh Andres! Andres! Ich kann nicht schlafen" | Alban Berg, Philip Langridge, Walter Raffeiner, Werner Kamenik, Franz Grundheber, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 107 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM |
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