William Byrd, Baltimore Consort made "The Carman's Whistle" available on January 1, 1991. With this song being about 5 minutes long, at 4:53, "The Carman's Whistle" by William Byrd, Baltimore Consort is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 20 in Chamber Music (Renaissance) – D'Estree, J. / Johnson, J. / Ravenscroft, T. / Allison, R. / Morley, T. / Byrd, W. / Dowland, J. by Baltimore Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Carman's Whistle is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Carman's Whistle by William Byrd, Baltimore Consort is Lento (slowly), since this song has a tempo of 46 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When David Heard | Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch | A♭ Minor | 1 | 1A | 80 BPM | ||
Mass A 4: Credo | Oxford Camerata, William Byrd | A♭ Major | 1 | 4B | 98 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Mass in G Minor: Kyrie | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Peter Lidbetter, Michael Bell, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM |
Section: 0.572059154510498
End: 0.576073169708252