"Dean: Komarov's Fall" by Brett Dean, Berliner Philharmoniker, Sir Simon Rattle had its release date on 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin's "Holst: The Planets" album is number 12 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dean: Komarov's Fall is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dean: Komarov's Fall by Brett Dean, Berliner Philharmoniker, Sir Simon Rattle to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
J. CHUQUISENGO: Andean summits for Orchestra (Chuquisengo, conductor) | Juan José Chuquisengo | B♭ Major | 2 | 6B | 77 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
String Quartet No. 1, Mvnt. II. | James William Ricci, QX String Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine) | Emmanuel Chabrier, Alexandra Soumm, Orchestre de chambre Pélléas, Benjamin Lévy | C Major | 2 | 8B | 113 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Var. 4, Andante con moto | Johannes Brahms, Yoel Levi, Atlanta Symphony Orchestra | E♭ Minor | 0 | 2A | 89 BPM | ||
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM |