Ludwig van Beethoven, Bernard Bartelink, Royal Concertgebouw Orchestra, Leonard Bernstein, Netherlands Broadcasting Foundation Chorus, Hilversum made "Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Pleni sunt coeli - Live at Concertgebouw, Amsterdam / 1978" available on October 9, 2021. With Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Pleni sunt coeli - Live at Concertgebouw, Amsterdam / 1978 being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 261 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. In terms of popularity, Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Pleni sunt coeli - Live at Concertgebouw, Amsterdam / 1978 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Pleni sunt coeli - Live at Concertgebouw, Amsterdam / 1978 by Ludwig van Beethoven, Bernard Bartelink, Royal Concertgebouw Orchestra, Leonard Bernstein, Netherlands Broadcasting Foundation Chorus, Hilversum is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XI. Poco Adagio, quasi Andante | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | F Minor | 0 | 4A | 83 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
Section: 0.7574291229248047
End: 0.7606089115142822